• Poster of the Month

  • My Momentary Celebrity Obsession

    Click to find out why Marlene has me mesmerized.

  • What I’m Reading

  • What You’re Reading

  • Advertisements

The Road to Singapore

Dullsville

Road to Singapore (1931)

     Before you get ahead of yourself I must warn that this is not a post about the Bing CrosbyBob Hope road movie. This unsavory William Powell romance has nothing to do with the string of movies that all but trademarked the title “Road to …” . This flick came nine years prior to the comedic film of the same name that was the first in the duo’s series. If you find yourself inadvertently watching this movie, you’re sure to be displeased as not only does this Road to Singapore lack laughs, but it might be the least desirable character Powell has played.

     On the boat to British-occupied Khota, a drunken Powell as Hugh Dawltry has been attempting to court Phillipa (Doris Kenyon) not knowing her travels are driven by a pending marriage to a doctor at the tropical locale, George March, played by a young Louis Calhern. Upon departure from the vessel, Dawltry escorts the young woman to what she thinks is her fiancée’s home only to discover she has actually been lured to the man’s own home. She resists his advances at this point and never tells her husband of it.

     As the story goes along, Phillipa and George are married and live with George’s younger sister Rene (Marian Marsh). George hates Dawltry because gossip continues about how he broke up another woman’s marriage and the man is a notorious philanderer. Rene is openly fascinated by the man but Phillipa hides her growing interest. When both George and Rene are scheduled to leave town to deliver a patient, Phillipa accepts an invitation to Dawltry’s home where the two seemingly copulate. The patient, however, dies before the ship leaves, so George returns home to find his wife missing and a note from her lover on the dresser.

     We are meant to feel pity for Phillipa and her unhappy marriage to a man who is far more interested in his career than his wife. The trouble is, Powell does not come off as the dashing answer to the woman’s woes. He is dishonest and offers no indication he will supply the love Phillipa’s life lacks, merely the passion. The ending gets a bit confusing as Dawltry is both confessing and denying his involvement in the notorious case of the other woman’s divorce. We cannot determine from either character’s emotions if they will flee together or if one or the other is not that interested. This therefore makes the ending not terribly satisfying as we think neither person is really that into the relationship.

Advertisements

Silent Partner & Lincoln’s Doctor’s Dog

Gasser

Buster Keaton

     You might recall I wrote several reviews on short subjects coming from Hal Roach Studios a few months back when TCM was playing tribute to the influential production company. Among those were some Screen Directors Playhouse episodes. Well, I’ve finally gotten around to clearing the final two from my DVR, so here they are:

     George Marshall was the director behind The Silent Partner, a comedy about a silent movie star long forgotten. When told that the silent actor would be played by a great from those days of film, my first thought went to Buster Keaton, and I was correct. Unlike many of his silent-era counterparts, Keaton continued his career into talkies, although he can usually be spotted in supporting or cameo roles.

     The story for this episode is a bit haphazard. Keaton, as ex-actor Kelsey Dutton, is seated at the counter in a mostly empty bar where a handful of characters are either very interested in watching on TV the Academy Award ceremony taking place across the street, or not at all. Being honored during that night’s ceremony, hosted by Bob Hope as himself, is director Arthur Vale (Joe E. Brown), who cannot help but give credit for his career to Dutton. We are entreated to a flashback when Dutton unknowingly barges onto the set of Vale’s film to rescue a woman in a smoking building. The action proceeds in typical silent comedy style and Vale hires the man as a star. Returning to present day, the Oscar broadcast next features a short film the team made. Dutton is a janitor at a saloon and is in love with the singer atop a piano who inherits a large sack of money. Cowboy robbers show up however, and wrestle with the woman and Dutton, who is continually kicked in the rear by a horse.

     The present-day patrons at the bar soon realize they are in the company of the man on the screen and one woman (Zasu Pitts) calls Vale to notify him of his silent partner’s whereabouts. Vale arrives at the bar and takes his pal to the Oscar stage.

     Less interesting was Lincoln’s Doctor’s Dog, directed by H.C. Potter. The story was crafted based on a mantra of publishers at the time (and maybe still today). Publishers knew that any story about medicine, animals or Abraham Lincoln were surefire best sellers, so naturally, a story called “Lincoln’s Doctor’s Dog” would be the epitome of a hot story. Unfortunately, I struggled to stay awake.

     Charles Bickford plays Dr. Stone to Robert Ryan‘s President Lincoln. The doctor attends to the political leader who is low of spirits and perhaps ailing in other ways. He is ordered strict rest, but cannot seem to keep away from the various documents he insists on reading. On his way home one night, Dr. Stone obtains a golden retriever puppy and delivers it to Lincoln as a birthday present. The pup, while having the president chasing it all over his bed, has a grand effect on the man’s health and attitude. Later the dog subdues an entire room of politicians and the doctor declares that the dog has done a service to the United States.

%d bloggers like this: