Secret Bride

Dullsville

The Secret Bride (1934)

Barbara Stanwyck is a good example of an actor who is remembered by history as being a real standout performer with many phenomenal movies and roles to her name while still having a list of disappointments on her resume. The same can be said of many stars that eventually rise to a position where they can be choosy with their parts, but everyone has to make a living to start with.

Like Ladies They Talk About and The Bitter Tea of General Yen, The Secret Bride is an easy film on Stanwyck’s list to ignore. At just over an hour in runtime, the movie is horribly rushed, eliminating any chance for a natural ebb and flow of action.

Stanwyck is Ruth Vincent, daughter of the state’s governor. She marries in a town hall the state’s Attorney General Robert Sheldon (Warren William), but before the couple can announce to her father the exciting news, Sheldon is informed that the governor is implicated in a bribery scheme.

Governor Vincent (Arthur Byron) had pardoned John Holdstock, and the latter’s secretary, Willis Martin (Grant Mitchell), is caught by Robert’s investigator depositing $10,000 into Vincent’s personal account. A short while later Holdstock is found to have killed himself. Both Robert and Ruth believe in the governor’s innocence, but they want to prove it before a legislative investigatory committee can impeach him. In order to avoid any appearance of impropriety, the couple commit to keeping their marriage secret.

Keeping the nuptials under wraps does not become a problem until Ruth witnesses the shooting of Robert’s investigator Bredeen (Douglas Dumbrille) from Robert’s apartment window. She did not see the shooter but she knows the direction of the shot clears Bredeen’s girlfriend and Robert’s secretary Hazel (Glenda Farrell) of the crime. Ruth insists on staying out of the investigation because it would raise questions as to why she was in Robert’s apartment late at night. At last, however, she must come forward and admit their marriage in court, potentially ruining her husband’s career.

Stanwyck give the performance we would expect of her but does not blow anyone away. William is equally satisfactory in his part, but the story is difficult to appreciate. It is impossible to unweave the crime oneself, and as the action rushes along, we conclude with one character confessing every detail of the convoluted crime. Ruth and Robert seem to be genuinely in love, an accomplishment for the actors, but that has nearly nothing to do with the story, which is essentially a crime mystery. Perhaps the plot would have been more compelling it had analysed the effect on the newlyweds of the investigation. The emotional trauma and rift it could cause would be more dramatic than a complex crime story.

• The Secret Bride is set for 2 p.m. ET Dec. 13 on TCM.

20,000 Years in Sing Sing

Gasser

20,000 Years in Sing Sing (1932)

     The year was 1932. The Production Code was only starting to strangle the contents of films, Bette Davis was still sporting the platinum blonde look and playing sleazy roles, and Spencer Tracy was kind of young-looking. 20,000 Years in Sing Sing was one of those films that like many of those to come under the iron fist of the Code would have no choice but to punish the criminal, no matter how likeable he was.

     I learned about this code restriction from reading about the struggles Alfred Hitchcock had with several of his films. He often wanted villains or anti-heroes to get of scott free, but the big wigs in the Hayes Office required those who commit a serious crime to be punished for it, whether through the penal system or via suicide. For that reason, several Hitchcock bad guys kill themselves or get a comeuppance the director would rather have avoided.

     In 20,000 Years in Sing Sing we have a criminal serving his time, but he ultimately pays a mortal price for another crime he did not commit. As Tommy Connors, Tracy is some sort of hoodlum with pull in New York, but when he moves into Sing Sing for armed robbery, he is surprised to find his lawyer Joe Finn (Louis Calhern) is unable to secure either a release or at least a comfy stay. When issued an oversized uniform, Connors gets riled and starts throwing his fists around. The warden (Arthur Byron) agrees to let him off on the uniform requirement, allows him to wander around in long underwear, then assigns him to the ice house.

     When a small group of inmates plan an escape, Connors is all for it until he realizes the bust will go down on a Saturday –his jinx. He backs out at the last minute and the plan goes awry, resulting in two dead inmates and one who eventually gets the chair. The warden knows Connors had the option of trying for the escape and their relationship improves knowing he opted not to.

     Throughout his time in prison –a stint of five to 30 years– Connors has been visited by his girlfriend Fay, played by Davis. She has been allowing the lawyer to flirt with her in the hopes she can motivate him to get Connors set free. Fay and lawyer Finn get into a bad car accident and the girl thinks she is going to die. The warden learns of this and allows Connors to go see her provided he return to the prison that night. Connors has every intention of doing so until he runs into Finn at Fay’s place and the two get into a tussle. Fay shoots Finn from her bed but Connors absconds with the weapon. The incident might not have been a problem had not a curious cop been following Connors and heard the whole thing. It takes a couple weeks, but Connors does return to prison, stands trial and is convicted of the crime.

     Tracy gives a great performance. He had a wide range of personalities he could play and did a great job of presenting the tough guy with enough sense to know when to stop fighting. His character undergoes a bit of a transformation away from the arrogance the outside world laid upon him and toward the humble status of an every man no better than the next. Davis, too, gives a swell portrayal of a loyal girlfriend truly in love with her inmate beau. Never have I seen so much smooching in a film from this era. The character was not one we would see Davis play starting a few years hence, but she certainly proves there was no role she could not master.

• 20,000 Years in Sing Sing is set for 12:45 p.m. ET Aug. 3 on TCM.

Source: Alfred Hitchcock: A Life in Darkness and Light by Patrick McGilligan