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Ziegfeld Follies

Gasser

Ziegfeld Follies (1946)

     This post will be short because how much can one really say about a movie without a plot? Florenz Ziegfeld, Jr. was world-known for his lavish stage shows that lacked a plot but entertained spectators with one song, dance or comedy vignette after another. The movie Ziegfeld Follies does the same.

     The film was originally completed in 1944, 12 years after Ziegfeld’s death. Some audiences found offensive the opening that features William Powell reprising his role as the showman –previously having played him in The Great Ziegfeld— in heaven devising a new revue. Not having been around to be a fan of Ziegfeld when he was alive, I could not care less as the scene endures for a few minutes before we never see him again.

     There is nothing particularly appealing to me about a movie that strings together unrelated songs, dances and visual effects. Ziegfeld Folliesis not without its gems, however. The movie featured the only time outside of That’s Entertainment II that Fred Astaire and Gene Kelly dance together. The two were masters in their own way, but their styles are very different, so it is nice to compare and contrast them here. Where Astaire is lanky and fit, Kelly is muscular and nimble. I will always choose Kelly over Astaire for multiple reasons –voice, dance style, looks– but the two are well matched when dancing together.

     Really the one reason I sought to watch Ziegfeld Follies was for Judy Garland‘s appearance in it. She acts and sings in a comedy sketch as “The Great Lady”, a character very different for her. The scene was originally planned for Greer Garson to mock herself, but the actress had turned it down. Garland, therefore, plays a snooty, self-loving super actress with a refined, Garson-esque voice that shows yet another facet of her acting talent. She welcomes a group of reporters and puts on a dramatic show of flitting about her apartment and posing for any photos that might want to be snapped. The scene is fun, absurd and makes Garland look absolutely stunning. We can probably thank Director Vincente Minnelli for that.

     The movie is packed with a long list of other stars, some more entertaining than others. If you enjoy just watching a bunch of talent paraded about for two hours, then Ziegfeld Follies is for you, but as far as I am concerned, a plot is necessary to keep me from getting distracted.

Source: TCM.com

What to Watch Thanksgiving: Musicals

Musicals tend to be very family friendly fare, which is possibly why Turner Classic Movies has sprinkled several throughout the day and night Thursday, Thanksgiving Day. At the top of my list is Judy Garland‘s great Meet Me in St. Louis.

Meet Me in St. Louis (1944)

I feel like the plot of this story of a large St. Louis family in 1903 does not matter much in the grand scheme of things. The narrative is marked by the romances of Garland’s Ester with the neighbor boy and sister Rose (Lucille Bremer) hopes her long-distance boyfriend will get around to proposing. The family as a whole also struggles with the idea of moving to New York as a year goes by.

The songs in Meet Me in St. Louis are among the reasons to watch the flick. Many famous numbers we still remember today are just as enjoyable out of the context of the film as they are in. Among them is the title song, the Oscar-nominated “Trolley Song” that was filmed in one take and Garland singing “Have Yourself a Merry Little Christmas.”

This picture marks the first encounter of Garland and Director Vincent Minnelli. The two feuded on set until Garland viewed the daily rushes and discovered how beautiful Minnelli was making her look. The young star had all kinds of confidence issues about her appearance, some of which stem from Louis B. Mayer’s pet names of “ugly duckling” and “my little hunchback.” The woman had also been reluctant to take the part that returned her persona to that of a teenager because she had finally found success in adult roles, such as For Me and My Gal. The new-found chemistry between the star and director led to a marriage in 1945 and four subsequent films. Despite being gay, Minnelli would father Liza with Judy before the two divorced in 1951.

Meet Me in St. Louis is a great way to see Judy in one of her best roles and to sing along with the family to the memorable songs.

Musicals scheduled on TCM for Turkey Day include:

  • Meet Me in St. Louis at 10 a.m. ET.
  • The Music Man at 1:45 p.m.
  • Anything Goes at 8 p.m.
  • Shall We Dance at 3 a.m.
  • Flying with Music at 5 a.m.

Source: Get Happy: The Life of Judy Garland by Gerald Clark

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