• Poster of the Month

  • My Momentary Celebrity Obsession

    Click to find out why Marlene has me mesmerized.

  • What I’m Reading

  • What You’re Reading

Hands Across the Table


Hands Across the Table (1935)

     Marriage for money. This was a typical theme of many classic romantic movies, which seems to suggest the practice was a common one back in the day. Typically a good-looking girl is angling to move herself out of the chorus and into a mansion, or individuals from once-wealthy families need to land rich spouses to maintain their way of life. Hands Across the Table has both.

     Carole Lombard is manicurist Regi Allen who dislikes a life of scraping to get by and wants to marry for money, not love. Working in a salon on the ground floor of a hotel, Regi is called to the suite of a wealthy, but wheel-chair bound gentleman Allen (Ralph Bellamy), whose mood is lifted for the first time in a long stretch by the girl’s mere presence. The two start a close friendship as she does his nails every day. She explains her desire for a profitable marriage, and Allen is clearly in love with her, but she does not seem to notice.

     Upon leaving his room one day, Regi runs into some dope playing hopscotch on the checkered floor tiles. She thinks him a buffoon, but he is immediately interested in the dame. The bloke turns out to be Theodore Drew III, played by Fred MacMurray, part of a wealthy family. He next requests a manicure from Regi in her shop, but she is so nervous upon learning who he is, that he leaves with half his fingers bandaged, this after securing a date with Regi for that night.

     While on the date, Regi learns Teddy is engaged to a wealthy pineapple heiress, a marriage he must secure because his family fortune has been lost. When a drunk Teddy passes out in their cab on the ride home, Regi is stuck storing him on a cot in her apartment for the night. When she returns home from work the next day, Teddy is still there (he had no cab fare) and because he missed his boat to Bermuda, persuades Regi to board him at her apartment until he is expected home to his fiancée. There is no chemistry between the two as both are in the same marriage-for-money boat, that is, until their last night together when the feelings rise to the surface and both try to get their head around whether to take the leap into a relationship doomed to working-class status.

     MacMurray was fairly young in Hands Across the Table as it was his second film. I’ve always found the actor to be a great comedian, but here he was funny at times but awkward the most. In the scene when Regi does Teddy’s nails, MacMurray whispers all kinds of funny lines, but watching I felt as uncomfortable as Lombard’s character shakily scrubbing away at his cuticles. His delivery improves as the film goes on, but I frankly was rooting more for Allen to land Regi rather than Teddy. Regi says multiple times that a union between the two would only end in them hating and resenting each other, which I think is unfortunately true. Like many movies, however, the action ends before we can see the unhappily ever after scenario that is more likely than the happy one. Still, this is far from a bad film. It is fun and romantic, if not unsatisfying in some terms.

  • Hands Across the Table is set for 10 p.m. ET Aug. 28 on TCM.

Remember the Night


Remember the Night (1940)

     Although Remember the Night is a fairly heartwarming Xmastime story, it does not necessarily have a happy ending. This first pairing of Barbara Stanwyck and Fred MacMurray, who would make possibly the most famous film noir in history, Double Indemnity, is a story of compassion and romance but with some rather bleak moments along the way.

     Stanwyck plays Lee Leander, a thief with record who just prior to Xmas is on trial with MacMurray’s DA John Sargent against her. John moves for a continuance, however, because he knows the jury will acquit her based on the time of year. Feeling poorly about sending the young woman to an Xmas meal in the clink, John pays her bail, which results in the woman being deposited on his doorstep. He agrees to get her dinner and while they dance the couple discovers they are both from Indiana, which is where John is headed to spend the holiday. He opts to carpool the woman to her home town on the way, but when they arrive a cold reception from Lee’s mother and a glimpse into her poor upbringing leads John to take her to his home instead.

     John’s mother and aunt embrace Lee until the lawyer reveals she is a thief he plans to convict in a couple of days. That’s no problem until the two start to fall in love, and Mrs. Sargent sees Lee as a threat to her son’s honest upbringing and hard work. Ultimately, Lee pleads guilty either to avoid corrupting John or to do the honest thing, and the film ends with her in jail saying John must wait to marry her if he feels the same way once she has paid her debt to society.

     Although MacMurray would be cast against type in Double Indemnity, he plays his usual good guy in Remember the Night. Stanwyck, however, plays a similar bad girl or devious type she would also personify in The Lady Eve, which along with this film was written by Preston Sturges. She also sports the same dark hair color as she does as Eve, which is my favorite of her looks. She worked well as a blonde, but I find her particularly striking with the dark locks.

     Remember the Night is a cute, romantic holiday film with good acting, but it is not particularly memorable. Better to hold out for Double Indemnity.

Source: Robert Osborne

%d bloggers like this: