Gasser
Lana Turner‘s Sheila is picked by Mr. Ziegfeld when he spots her operating an elevator. She happens to already possess the poise necessary to walk gracefully down a flight of stairs with a book balanced on her head. Hedy Lamarr‘s Sandra is at the theater while her husband Franz (Philip Dorn) auditions as a violinist. He does not get the job but Sandra does land employment. Judy Garland as Susan gets approved for a cast spot after Mr. Ziegfeld follows through on seeing her in a father-daughter vaudeville act. The three women become friends but their involvement in the follies will impact their lives differently.
The plot puts the greatest emphasis on Sheila who gets the most attention from audience members. She is dating Jimmy Stewart as Gilbert, a truck driver working toward the responsibility of hauling a larger load, which would hopefully precipitate the couple’s marriage. Sheila’s newfound attention, however, has her meeting a lot of wealthy men, one of whom she permanently goes around with in exchange for a lavish apartment and loads of shoes and furs. Sandra’s love life is also toppled by the success of the show. Although she loves her husband, he disagrees with the woman supporting him and the two split up, with Sandra moving into a boarding house. The woman takes up with a married singer in the cast thinking it will be a safe platonic relationship; although, the man has other plans. Lastly, Susan struggles with separating from her performer father (Charles Winninger) but manages to impress the casting director with her spectacular singing and gets a bigger place in the show. Her love life is marked by Sheila’s younger brother Jerry (Jackie Cooper), and the two have a standard young-person courtship.

Lana, Hedy and Judy
Ziegfeld Girl is one of those instances when Garland found herself feeling rather inadequate among the stars of MGM. The studio was generally known for having the most glamorous actors on its roster and Garland failed to meet the standard. I previously mentioned Louis B. Mayer’s nicknames for the girl, and her casting alongside the exotic Hedy Lamarr and stunning Lana Turner only emphasized her insecurities. Nevermind that her character is essentially relegated into adolescence –despite Garland being only two years younger than Turner– while the other stars battle with big-time romantic turmoil.
The Sheila character in Ziegfeld Girl not only screws up her love life but spirals into alcoholism, which eventually impacts her career and threatens her life. The character was originally depicted as dying before the film’s close but initial audiences reacted poorly to that ending. The movie instead shows the woman in a dying state before action switches to the stage and the film closes on a high note, although with Sheila’s fate ambiguous. The picture also seems to have a major flaw in terms of costuming. If the plot is meant to take place in the 20s, the fashions are reflective of the 40s when the movie was made. The follies ran on Broadway from 1907 to 1931.
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Ziegfeld Girl is set for 10:15 a.m. ET Jan. 25 on TCM.
Sources: Get Happy: The Life of Judy Garland by Gerald Clark, TCM.com
Filed under: Comedy, Musical, Romance | Tagged: Charles Winninger, Gasser, Hedy Lamarr, Jackie Cooper, Jimmy Stewart, Judy Garland, Lana Turner, Louis B Mayer, Philip Dorn, Robert Leonard | Leave a comment »