I tend to dislike movies set in any ancient era or really any time preceding the turn of the 19th Century. That being the case, the many costume dramas strewn throughout cinema history struggle to entice me. I one test of a truly great movies is that can garner the appreciation and enjoyment of the viewer who dislikes the given genre. Knights of the Roundtable does not do that for me.
Despite its big leading stars and sex appeal, Knights of the Round Table fails in the draw of its story and conviction of its actors. Taking a look at a different angle of the Sword in the Stone story of King Arthur, the flick focuses largely on Sir. Lancelot of the Lake (Robert Taylor) and his relationship with both Arthur (Mel Ferrer) and the king’s wife, Guinevere (Ava Gardner).
Amidst the many sword-fought battle/duel scenes, Lancelot makes the acquaintance of Arthur, who is essentially campaigning to be ruler of the land following his extraction of Excalibur from the stone. Once king, Arthur arranges to make good with his love Guinevere and marry her. The woman is being held in a castle, however, when Lancelot stumbles upon the situation. The knight fights the guard for her, not knowing she is Guinevere.
A love triangle of sorts ensues as Lancelot acts as best friend to Arthur while harboring feelings for the queen who does not hide her appreciation. Arthur seems so blind to the possibility of an inappropriate relationship that he declares Lancelot the Queen’s Champion. Knowing how he feels, Guinevere instructs Lancelot to marry Elaine (Maureen Swanson), who has been pouring her love all over the knight since before Guinevere entered the picture. Lancelot follows through with the marriage and takes his wife away from the castle to oversee the battlefield.
While away, Elaine dies in childbirth, prompting Lancelot’s return to Camelot –and his disposal of the baby with his father. The flame between the queen and the knight is rekindled, and a nearly innocent moment between them sparks a controversy that will bring down Arthur.
This description of the Knights of the Round Table certainly sounds far more sexy than it actually comes off. There are many other plot elements involved related to Modred (Stanley Baker) and Morgan LeFay’s (Anne Crawford) plot to disgrace and unseat Arthur. There is also a bit of a “bromance” within the story tracking the ups and downs between Arthur and Lancelot. The story has potential, but it failed to grasp me on any of these topics. The performances were just too underwhelming to drive an emotional response. Gardner is as gorgeous as ever, but offers nothing more. Ferrer, meanwhile, has never managed to convince me he is capable of a decent performance (including as husband to Audrey Hepburn. Zing!) Taylor, lastly, provides only a middle-of-the-road conveyance of Lancelot, a part that could have been played by anyone.
Knights of the Round Table does, however, have the distinction of being the first movie MGM shot in CinemaScope and recorded in stereo sound. The widescreen technique would become the mainstay of many epic adventures with vast landscapes like this one; though, certainly there were better movies shot in the format.
Source: Ben Mankiewicz