Ring a Ding Ding
I saw Dancing Lady for the first time probably more than a year ago. I distinctly remembered this movie as being sort of an odd role for Clark Gable but utterly loving how romantic he was in it. What I did not remember about the movie was its title and that Joan Crawford was the one receiving those romantic attentions. What does that say about her performance?
Gable plays Patch Gallagher who is a Broadway musical director. He slaves to get shows put into production, making his cast of dancers labor endlessly, while taking orders from the purse-holding producer Bradley (Grant Mitchell).
Crawford meanwhile plays Janie Barlow, a burlesque dancer who is arrested when her place of employment breaks into a riot. While at night court, she is spotted by bored millionaire playboy Tod Newton (Franchot Tone). He bails her out and takes her for a meal but cannot seem to convince Janie to date him. He does, however, help to fulfill her dream of having a legitimate dancing job. He uses his monetary influence to get the gal a meeting with Bradley, who instructs Patch to put the girl in the chorus. Upon seeing her audition, however, the director puts Janie in the lead.
Janie and Patch on and off butt heads and have their romantic near-misses while Janie is publicly attached to Tod. The boyfriend has arranged for the girl to be compensated during rehearsals and is helping to ensure the financial backing for the show. Janie is stuck on her dream of stardom, however, and agrees with her beau that if the show is a success they will split, but if it is a flop, she will become his wife. Tod therefore takes the steps necessary to close the show.
In many of the Gable-Jean Harlow (and other) pictures we see the man balancing two women and choosing the one who suits him best. In Dancing Lady, the romantic arrangement is the opposite, with Crawford doing the choosing. Gable also takes a toned down approach to his usual masculine, take-what-I-want attitude and although drawn to Crawford’s lips, always turns away before he can interfere in an established relationship. Perhaps the artistic background for his character in Dancing Lady is what softened his role. Gable really makes the flick worth watching.
Crawford –and Tone, for that matter– really could have been played by anyone. The two were on the verge of a romantic relationship off-screen, and although Tone is his usual charming self, he proves despicable in his actions. Crawford was ingrained in the flapper/showgirl roles at this point in her career, so she gives her standard fare on screen. This judgement is not to say she put on a poor performance, just one that was not memorable for me, blending into the many others she did at this time.
I should note that Fred Astaire appears playing himself and dancing opposite Crawford. Also working as stage hands are the Three Stooges, whose presence is amusing in and of itself. To think, Joan Crawford worked with the Three Stooges!